At the end of the nineteenth century as modernity
began to overwhelm western European culture, artists began to use elements of
lesser developed societies to embrace the simplicity that modern life started
to lack. Artists such as Gauguin, who were spiritually endowed and in tune with
their emotions were able to embody the simple part of life in a rustic
environment. Only somebody that is different than the norm can truly identify
the primitive or advanced characteristics of another culture. One work in
particular that embodies the idea of primitive life is Blue Nude: Souvenir at Biskra by Henri Matisse.
Firstly, Matisse was a French artist so he is native
to western culture. However, this painting contrasts the typical western
renderings of the reclining female nude. Most western European paintings of
nude women depicted them on soft fluffy pillows wrapped in sheets and peering
directly at the viewer, flaunting their sexuality. My interpretations of eye
contact between the viewer and the nude woman in these kinds of paintings are a
stimulation of arousal, or personal affairs with the woman giving the
suggestion of prostitution. In Blue Nude:
Souvenir at Biskra, the woman is not making eye contact with the viewer. She
is looking down, away from the viewer. It is as if she doesn’t even realize
that any one is watching her. This demonstrates that this painting was not
intended to please male viewers in a sexual way, like some western nude
paintings. Furthermore, Matisse’s painting can be considered avant-guarde because
it reflects the characteristics based on Griselda Pollock’s three key elements:
reference, deference and difference. The reference of this painting is the fact
that Matisse chose a conventional composition of the reclining female nude. As
for deference, Matisse expresses a similar quality to impressionism with his
use of warm and cool colors to suggest highlights and shadows. He also kept his
brushstrokes fairly loose which gave the piece a painterly effect, like the impressionists.
Lastly, Matisse’s work is different because he placed this reclining nude
figure out in a natural, outdoor setting. This contrasts traditional western
paintings of the reclining nude and proves that Matisse was an avant-guarde
artist for taking a different aesthetic approach to modern art.
Moreover, this piece ties into the idea of
primitivism because of artistic style and the subject matter. Blue Nude: Souvenir at Biskra is not
naturalistic, rather it is more abstract. Matisse used thick outlines to define
the edges of the woman’s figure, which emphasizes the idea of simplicity.
Another detail that I noticed is that her right leg seems to be out of
perspective with the rest of her body. It reminds me of ancient Egyptian
paintings with depictions of people in twisted perspective, with both legs
facing the same direction. Matisse’s painting is similar with ancient Egyptian
art in that sense, which also gives it a primitive quality. As I mentioned
before, the woman depicted here is completely naked and laying out in the
middle of the wilderness with no clothes thrown off to the side, or blanket
underneath her; just the simplicity of her own body. There is no reference to
modernity in this painting, which emphasizes the primitive identity of this
woman and the painting as a whole. One specific detail that caught my attention
is the body type this woman has. Although she has an ideal figure, she is
fairly muscular for a female. Perhaps her muscular build is supposed to
demonstrate that she survives in the world by doing everything herself. For
example, in modern culture houses are built for people by machinery and food is
conveniently manufactured and mass produced. This woman, however, does all of
that herself. One other element of primitivism is evident by Matisse’s choice of
composition because women are seen as closer to nature. Throughout art history,
women have been a symbol of fertility and sexuality and with Blue Nude: Souvenir at Biskra, Matisse
created the perfect example of the simplicity of nature and a simple way of
life.
I was very interested on the comment when you mentioned that the piece makes some connections with Ancient Egyptian art. This could be correlated with reference because Matisse is referencing a past convention.
ReplyDeleteI too was reminded of Ancient Egyptian works by both Matisse and Gauguin with their use of Black outlines and flat areas of color. The pose of the figure also made me think of Orientalism (mentioned in my blog) and your reference to the twisting of the figure made me think of Mannerism. The figure is also distorted; Mannerist painters liked to elongate limbs and bodies with the effect of making the subject seem less robust than this figure, yet there may be some of that influence here too.
ReplyDeleteI agree that the simplicity presented in this painting is key. It is just a woman's body in Nature. There isn't any complications inserted from "modern" life. I feel like a lack of modernity is emphasized in this painting more than anything else.
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